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@nationalmuseumofkorea
꽃과 새 오른쪽 제1폭부터 꽃사과와 라일락, 갈대와 장미, 국화, 매화와 한 쌍의 새를 그린 병풍입니다. 짙은 흰색·분홍색·녹색·파랑색 안료로 꽃과 새를 곱게 칠해 전체적으로 화사합니다. 특히 제2폭 상단에 방금 사냥한 물고기를 물고 하늘로 날아오르는 물총새의 동작과 채색은 눈길을 끕니다. 근대 화가 이도영이 47세에 제작한 이 그림은 장승업과 안중식의 전통적인 화조화의 구성을 따르면서도 섬세하고 화려한 일본 화조화 채색법 영향이 확인됩니다. Each panel on this folding screen illustrates a pair of birds along with peach blossoms and lilacs, reeds and roses, chrysanthemums, and plum blossoms from the first panel on far right. The exquisite application of deep white, pink, green, and blue pigments to the flowers and birds brightens the entire composition. The colorful kingfisher in flight with a freshly-caught fish in its beak in the upper section of the second panel particularly stands out. This work created by the modern-era painter Yi Doyeong at the age of fourty-seven follows the composition of traditional bird-and-flower paintings by Jang Seungeop and An Jungsik. Additionally, it demonstrates an influence from the coloring techniques employed in the delicate but splendid Japanese bird-and-flower paintings. 꽃과 새, 이도영(1884–1933), 1930년, 비단에 색, 2012년 이상억 기증, 상설전시관 서화II실('23.8.22.~12.17.) Birds and Flowers, Yi Doyeong (1884 – 1933), 1930, Ink and color on silk, Gift of Sangoak Lee(2012), Calligraphy and PaintingⅡ(22 Aug, 2023-17 Dec, 2023) #국립중앙박물관 #상설전시관 #서화실 #이도영 #화조도 #기증 #이상억 #용산 #서울전시볼만한곳
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